Cardinal Tolentino now inherits one of the most complicated gigs the Vatican has to offer, because, let’s face it, an institution that notoriously thinks in centuries isn’t always well-suited to adapt to the lightning pace of cultural change in the 21st century. By John L. Allen Jr., Angelus News
In London, England, an installation by the Mexican artist Betsabeé Romero at Kew Gardens’ Temperate House, the world’s largest Victorian glasshouse, for Kew’s Mexico festival. (Zac Goodwin/PA)
